Съемки на территории охотничьего хозяйства «Красный Бор» автоматической камерой ночью.
Зубр, благородный олень, кабан, лось, барсук. енотовидная собака, бобр, американская норка.
Filming on the territory of the hunting estate «Krasny Bor» using automatic camera at night.
Bison, deer, wild boar, elk, badger. raccoon dog, beaver, mink.
Gustav Mahler
Symphony No.9
Claudio Abbado, conductor
Lucerne Festival Orchestra, 2010
0:00 — Opening
1:04 — 1. Andante comodo
28:10 — 2. Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
44:00 — 3. Rondo-Burleske: Allegro assai. Sehr trotzig
56:55 — 4. Adagio: Sehr langsam und noch zurückhaltend
1:27:29 — Ending
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Dear Youtube User
If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.
I uploaded the video just to promote the music I love.
I dont want problems with anybody and I never intended to break the copyright law.
1. 0:06 Op. 9, No. 1 in B flat minor. Larghetto
2. 5:53 Op. 9, No. 2 in E flat major. Andante
3. 10:29 Op. 9, No. 3 in B major. Allegretto
4. 17:09 Op. 15, No. 1 in F major. Andante cantabile
5. 22:07 Op. 15, No. 2 in F sharp major. Larghetto
6. 25:43 Op. 15, No. 3 in G minor. Lento
7. 30:53 Op. 27, No. 1 in C sharp minor. Larghetto
8. 36:32 Op. 27, No. 2 in D flat major. Lento sostenuto
9. 42:27 Op. 32, No. 1 in B major. Andante sostenuto
10. 47:27 Op. 32, No. 2 in A flat major. Lento
11. 53:01 Op. 37, No. 1 in G minor. Lento
12. 59:51 Op. 37, No. 2 in G major. Andante
13. 1:06:17 Op. 48, No. 1 in C minor. Lento
14. 1:12:25 Op. 48, No. 2 in F sharp minor. Andantino
15. 1:20:11 Op. 55, No. 1 in F minor. Andante
16. 1:25:36 Op. 55, No. 2 in E flat major. Lento sostenuto
17. 1:31:19 Op. 62, No. 1 in B major. Andante
18. 1:38:51 Op. 62, No. 2 in E major. Lento
19. 1:45:11 Op. 72, No. 1 in E minor. Andante
20. 1:49:19 Op. posth in C sharp minor. Lento con gran espressione
21. 1:53:18 Op. posth in C minor. Andante sostenuto
The Symphony No. 3 by Gustav Mahler was written between 1893 and 1896; It is his longest piece and is the longest symphony in the standard repertoire, with a typical performance lasting around ninety to one hundred minutes.
In its final form, the work has six movements:
1. Kräftig. Entschieden;
2. Tempo di Menuetto;
3. Comodo (Scherzando);
4. Sehr langsam—Misterioso;
5. Lustig im Tempo und keck im Ausdruck;
6. Langsam—Ruhevoll—Empfunden.
As with each of his first four symphonies, Mahler originally provided a programme of sorts to explain the narrative of the piece. In the third symphony this took the form of titles for each movement. There was originally a seventh movement, «What the Child Tells Me», but this was eventually dropped, becoming instead the last movement of the Symphony No. 4.
The symphony, particularly due to the extensive number of movements and their marked differences in character and construction, is a unique work. The opening movement, colossal in its conception (much like the symphony itself), roughly takes the shape of sonata form, insofar as there is an alternating presentation of two theme groups; however, the themes are varied and developed with each presentation, and the typical harmonic logic of the sonata form movement—particularly the tonic statement of second theme group material in the recapitulation—is changed. The opening gathers itself slowly into a rousing orchestral march. A solo tenor trombone passage states a bold (secondary) melody that is developed and transformed in its recurrences. At the apparent conclusion of the development, several solo snare drums «in a high gallery» play a rhythmic passage lasting about thirty seconds and the opening passage by eight horns is repeated almost exactly.
As described above, Mahler dedicated the second movement to «the flowers on the meadow». In contrast to the violent forces of the first movement, it starts as a graceful Menuet, but also features stormier episodes.
The third movement, a scherzo, with alternating sections in 2/4 and 6/8 metre, quotes extensively from Mahlers early song «Ablösung im Sommer» (Relief in Summer). In the trio section, a complete mood changes from playful to contemplative occurs with an off-stage post horn (or flugelhorn) solo. The reprise of the scherzo music is unusual, as it is interrupted several times by the post-horn melody.
At this point, in the sparsely instrumentated fourth movement, we hear an alto solo singing a setting of Friedrich Nietzsches «Midnight Song» from Also sprach Zarathustra («O Mensch! Gib acht!» («O man! Take heed!»)), with thematic material from the first movement woven into it.
The cheerful fifth movement, «Es sungen drei Engel», is one of Mahlers Des Knaben Wunderhorn songs, (whose text itself is loosely based on a 17th century church hymn, which Paul Hindemith later used in its original form in his Symphony «Mathis der Maler») about the redemption of sins and comfort in belief. Here, a childrens choir imitating bells and a female chorus join the alto solo.
Of the great finale, Bruno Walter wrote, «In the last movement, words are stilled—for what language can utter heavenly love more powerfully and forcefully than music itself? The Adagio, with its broad, solemn melodic line, is, as a whole—and despite passages of burning pain—eloquent of comfort and grace. It is a single sound of heartfelt and exalted feelings, in which the whole giant structure finds its culmination. The movement begins very softly with a broad D-major chorale melody, which slowly builds to a loud and majestic conclusion culminating on repeated D major chords with bold statements on the timpani.
Документальный фильм из 4-ех частей «Человек, который всегда хотел большего».
Это история человека, который накануне своего 60-летия решил взойти на Эверест. Но перед тем, как подняться на высочайшую гору планеты, ему предстоит совершить восхождения на три вершины в разных частях света: Казбек, Манаслу и Охос-дель-Саладо.
1 герой.
4 горы.
4 фильма.
Фильм 4. «Человек, который всегда хотел большего. Эверест»
Сотни часов изнурительных тренировок, тысячи метров подъема вверх, 3 сложнейшие вершины за плечами, и все это ради того, чтобы внести свое имя в книгу историй восхождений на высочайшую гору мира. Василию Шахновскому исполнилось 60 лет. И он идет на Эверест!
Brooks Falls in Alaskas Katmai National Park is the best place in the world to watch brown bears feasting on salmon as they swim upstream to spawn. Find out the best time to watch live and learn more about Katmai and its brown bears on Explore.org @ goo.gl/fhMmQy.
EXPLORE is the largest live nature cam network on the planet. We bring nature to you, raw, unscripted, and unedited. Enjoy the natural world as it unfolds in real time in front of our cameras. EXPLORE.org takes you from Kenya, Africa to the riverbanks of Katmai, Alaska and everywhere in between.
Cinematography by David Huting, Noel Thomas, Roman Khomylak, and Johnny Wanda, with a few scenes from stock. Locations include upstate New York, Western Canada, California, Oregon, Washington State, Japan, and more. Edited by David Huting.
℗ 1995 Hannibal LLC under exclusive license to Francis Dreyfus Music SARL, a BMG Company
Synth Bass: Bernard Wright
Mastering Engineer: Bernie Grundman
Coordinator: Bibi Green
Additional Recording: Bruce Miller
Recording Engineer: David Ward
Co- Producer: David Ward
Programmer: David Ward
Guitar: Dean Brown
Assistant Engineer: Eric Flickinger
Mixer: Goh Hotoda
Additional Recording: Goh Hotoda
Assistant Engineer: Jay Militscher
Assistant Engineer: Jim Labinski
Additional Recording: Jonathan Miller
Alto Saxophone: Kenny Garrett
Bass, Guitar, Producer, Samples, Synthesizer: Marcus Miller
Drum Programmer: Marcus Miller
Additional Recording: Marcus Miller
Trumpet: Michael Stewart
Drums: Poogie Bell
Additional Recording: Ray Bardani
Additional Recording: Roland Alvarez
● Фильмы и Сериалы ● Бесплатно и Онлайн ● Подписывайся и Смотри! ● vk.cc/8gATXc
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Он – дракон (2015)
Cлоган: «Любить страшно»
Режиссер: Индар Джендубаев
Сценарий: Марина Дяченко, Сергей Дяченко, Индар Джендубаев
Продюсер: Тимур Бекмамбетов, Наталья Смирнова, Игорь Цай
В главных ролях: Мария Поезжаева, Матвей Лыков, Станислав Любшин, Иева Андреевайте, Петр Романов, Андрей Лебединский, Марта Тимофеева, Иво Господинов, Егор Зубарчук, Виктория Рунцова
В разгар свадьбы княжну Мирославу похищает дракон, унося в свой замок на острове. В прошлом остались родные, жених, теперь только каменный плен в компании прекрасного Армана… но кто он и как оказался на острове? Мира поймет это слишком поздно: любовь к нему, человеку-дракону, откроет ей горькую истину — любить страшно.
Так уж повелось, что журналы и газеты часто пишут что-то такое, что заставляет нас переживать. Их логику можно понять — ведь чем привлекательнее тема, тем больше спрос на неё со стороны читателей. Вся проблема в том, что из-за этого высок риск ввести аудиторию в заблуждение и распространить мифы, которые на самом деле не имеют ничего общего с действительностью. В сегодняшнем видео мы решили разобраться в некоторых важных вопросах современности и рассказать вам о том, что могло волновать вас долгое время.
